{"lien_WSTV":"","tax_name":"deprecated","tax_rate":20,"id_manufacturer":"0","id_supplier":"0","id_category_default":"491","id_shop_default":"1","manufacturer_name":false,"supplier_name":false,"name":"Les Univers Infinis","description":"<p>The Artistic Crafts of the Manufacture pay tribute to the art of tessellation <br \/>\u00a0<br \/>\u2022 Second series in the M\u00e9tiers d\u2019Art Les Univers Infinis collection, inspired by the work of the Dutch artist Maurits Cornelis Escher <br \/>\u2022 A tribute to the graphic expression of the periodic paving technique known as \u201ctessellation\u201d\u00a0 \u00a0<br \/>\u2022 A subtle blend of the Artistic Crafts cultivated by the Manufacture: engraving, enamelling, gemsetting, guilloch\u00e9 work and the new technique of gold and mother-of-pearl marquetry \u00a0<br \/>\u2022 A mechanical self-winding movement, entirely developed and crafted by VAcheron Constantin\u00a0 \u00a0<br \/>\u2022 A limited, numbered series of 20 watches for each model, all certified by the Hallmark of Geneva \u00a0<br \/>\u00a0<br \/>\u00a0<br \/>Representing the second chapter in a collection presented in 2012 at the Salon International de la Haute Horlogerie in Geneva, the new M\u00e9tiers d\u2019Art Les Univers Infinis creations, inspired by the work of Dutch artist Cornelis Escher, pursue this glowing tribute to the graphic art of tessellation. <br \/>\u00a0<br \/>Vividly expressing the creativity of the Master Craftsmen whose skills are so greatly valued by the Manufacture, they illustrate the ties between watchmaking and culture that Vacheron Constantin has been perpetuating ever since its founding. At the crossroads between past, present and future, these timepieces embody the challenges taken up by the artisans of Vacheron Constantin and governed by a combination of talent, discipline and instinct.<br \/><br \/>Representing a symbiosis of several crafts, the new M\u00e9tiers d\u2019Art Les Univers Infinis trilogy uses the technique of periodic paving to create a strikingly hypnotic effect. Another skill highlighted by Vacheron Constantin, gold and mother-of-pearl marquetry, is associated with those of engraving, enamelling, gemsetting and guilloch\u00e9 work to create trompe l\u2019oeil dials featuring infinitely entwined elements of geometry, movement and symbolism. <br \/>The space on the dials is filled with perfectly interlocking repetitive motifs, thereby creating a world of optimal illusion and perspective, beautifully framed by a white gold case. The slender bezel ensures a maximum dial opening, while the elegant hands are hollowed so as to provide full expressive scope for the art of tessellation. <br \/>\u00a0<br \/>The Hallmark of Geneva certified watches are driven by Calibre 2460, a mechanical self-winding movement entirely developed and crafted by Vacheron Constantin. In addition to its reliability, it bears manual finishes performed in keeping with the finest Fine Watchmaking traditions. The polished angles, hand-drawn flanks, circular-grained mainplate, bridges adorned with a C\u00f4tes de Gen\u00e8ve motif and the gold oscillating weight featuring the elegant crossweave guilloch\u00e9 pattern, are all clearly visible through the sapphire crystal case-back. <br \/><br \/>Angel Watch <br \/>Engraving, guilloch\u00e9 work and Grand Feu enamel <br \/>\u00a0<br \/>On the dial of this fascinating model, angels and demons face off in a contrast that is both symbolic and aesthetic. The former are in light, the latter in darkness, yet neither side appears to prevail over the other. <br \/>Inspired by research conducted by Maurits Cornelis Escher on the \u201ccircular boundary\u201d \u2013 involving d\u00e9cor composed of infinitely multiplied elements radiating out from a central point \u2013 the watch portrays these respective figures through a subtle combination of the arts of engraving, enamelling and guilloch\u00e9 work, skilfully playing on depth and shimmering mirror-like effects. <br \/>\u00a0<br \/>Working with a white gold base, the engraver first traces the outlines of the figures and then hollows them out as cells using the champlev\u00e9 technique. Next comes the copperplate engraving that defines the details of the demons. The enameller fills the cavities thus hollowed out, an operation requiring infinite precision in that the repetitive symmetry of the pattern simply cannot tolerate even the tiniest flaw. After several firings in the kiln, during which the grey and blue colours are progressively set in place, the artisan applies a final layer of translucent enamel to the imps in order to accentuate the depth of the engraved motifs. The guillocheur then moves into action to craft the angel robes and wings by patiently incising the colourful material. It is extremely rare that guilloch\u00e9 work on an enamelled model is done as the last phase, precisely due to the extreme complexity of such an operation, since any slip of the tool could jeopardise the precious work of an entire team of artisans. <br \/>\u00a0<br \/>Lizard watch <br \/>Engraving, Grand Feu enamelling, gemsetting and guilloch\u00e9 work <br \/>\u00a0<br \/>Red, brown, gemset or silver-toned, the lizards take over the dial to create a captivatingly animated effect. <br \/>Inspired by one of the Dutch artist\u2019s lithographs named Reptiles, the watch springs to life beneath the intermingled effect of four ancestral decorative arts. <br \/>\u00a0<br \/>The engraver begins his work by hollowing out the motifs from a yellow gold base. The enameller then fills in the lizards heading southwards with a taupe-coloured enamel, while those going west are coated in crimson red. <br \/>The gemsetter then chooses to adorn the coats of certain reptiles with round-cut diamonds and finally, the master guillocheur dextrously enlivens the remaining lizards by highlighting their tiny scales measuring just a few tenths of a millimetre. <br \/><br \/>Horsemen watch <br \/>Engraving meets gold and mother-of-pearl marquetry <br \/>\u00a0<br \/>The majestic Ottoman horsemen with their inimitably proud bearing straddle the dial crafted in a superb gold and mother-of-pearl marquetry pattern. The shimmering colours of the materials mingle in perfect harmony. <br \/>\u00a0<br \/>The art of marquetry has been practised since time immemorial. The Egyptians used it in the form of precious stones and ivory inlaid into cosmetic cases and furniture. In the Middle Ages, Venice and the Byzantine empire exported luxury objects to the West featuring black and white geometrical motifs created by inlaying gold, ivory or mother-of-pearl into wooden veneers in a subtle range of lighter to darker shades. <br \/>\u00a0<br \/>The marquetry artist crafts a particularly complex object by adjusting two diametrically opposing materials. Each horseman is first cut out from gold and mother-of-pearl before being meticulously assembled, like a puzzle, on a gold base. There are no visible gaps between the figures \u2013 a tough challenge indeed within such a small space. <br \/>Mother-of-pearl calls for extreme attention, since it is extremely fragile and must feature the perfect combination of thickness, specific colours and shapes, smoothly combining curves and straight lines in order to follow the lines of its gold counterpart. At the end of the process, the engraver perfects the horsemen and horses by hollowing out the details of their anatomy.<br \/><br \/>The art of tessellation: an infinite vision of space <br \/>\u00a0<br \/>Born in the mists of time and named after the Latin word tessela, meaning paving stone or tile, the art of tessellation \u2013 or paving \u2013 spans many civilisations and cultures. It consists of small interlocking squares forming a motif that occupies the entire space of a picture without leaving any gaps, tessellations cover floors, walls and ceilings to form subtle geometrical landscapes.\u00a0 From 4000 B.C, this mosaic technique adopted by the Sumerians, a people of Mesopotamia. While the Romans also made it one of the main decorative motifs in their architecture, it was doubtless the Moors who raised this technique to an authentic art form in the period stretching from 700 to 1500 AD, since the Islamic religion forbade them from representing human beings and any real objects.\u00a0 <br \/>\u00a0<br \/>This technique has also proved interesting for mathematicians, who have viewed it as an artistic expression of their science and their logic. Such scholars include Archimedes, the famous Greek scientist from the 1st century B.C., who studied geometrical paving; as well as the astronomer Johannes Kleper, who presented a certain number of polygonal tessellations in his work entitled Harmonice Mundi. More recently, artists Bridget Riley and Victor Vasarely have drawn inspiration from this art of which Maurits Cornelis Escher is undoubtedly one of the most famous contemporary exponents. <br \/>\u00a0<br \/>Maurits Cornelis Escher: artistic geometry <br \/>\u00a0<br \/>Dutch graphic artist and engraver Maurits Cornelis Escher (1898-1972) based his work upon subtle plays on architecture, perspective and space. Admirably associating perfect execution and imagination, he was a past master in the art of toying with visual senses and even reason in order to invent new spatial representations and worlds that exist only on flat surfaces. His travels to Spain instilled in him a passion for the paving technique of which he saw some remarkable examples in the Moorish tiles of the Alhambra in Grenada, and the Cordoba Mosque. Comprising a strong mathematical element, his work lies on the borderline between art and science. 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{"Compl\u00e9ment":"Lizard Watch","Statut de vente":"En vente depuis","Date":"2013","Pi\u00e8ce unique":"No","S\u00e9rie limit\u00e9e":"Oui","Nombre d exemplaire":"20","Sexe":"Unisexe","Gaucher":"No","Diam\u00e8tre":"40","Epaisseur":"8.90","Types":"Self-winding","Styles":"Jewellery, Atypical","Calibre_autre":"2460 SC","Calibre distinction":"Hallmark of Geneva","Affichage_autre":"Skeleton hands","Mati\u00e8re du bo\u00eetier":"White Gold","Particularit\u00e9 du boitier":"Sapphire caseback","Etanch\u00e9it\u00e9":"30 meters","Forme":"Round","Cadran":"Grand Feu enamel, Set with diamonds, Hand engraved, Gold, Hand engraved","Couleur du cadran":"Silver, Gold-plated, Red","Index":"Baton-type","Verre":"Sapphire","Mati\u00e8re du bracelet":"Alligator leather","Fermeture du bracelet":"Pin buckle","Couleur du bracelet":"Black","Plus de caract\u00e9ristiques":"Movement<br \/>26.20 mm (11\u2019\u2019\u2019 \u00bc) diameter <br \/>3.60 mm thick <br \/>22K gold rotor <br \/>Approximately 40-hour power reserve <br \/>4Hz (28\u2019800 vibrations\/hour) <br \/>182 components <br \/>27 jewels <br \/><br \/>Case<br \/>White Gold 18K<br \/><br \/>Dial<br \/>Gold 18k<br \/><br \/>Strap<br \/>Black Mississippiensis. hand-stitched. saddle-finish. large square scales <br \/>\u00a0<br \/>Buckle<br \/>18K white gold buckle<br \/>Polished half Maltese cross-shaped "}

Les Univers Infinis

Reference: 86222/000G-9834

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Brand  :	Vacheron Constantin
Collection  :	Métiers d'Art
Model  :	Les Univers Infinis
Reference  :	86222/000G-9834
Nber of pieces :	20
Complement :	Lizard Watch
On sale :	2013

109 000 €Recorded list price in FranceI WANT ITADD TO CART

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• Brand  :	Vacheron Constantin
  Collection  :	Métiers d'Art
  Model  :	Les Univers Infinis
  Reference  :	86222/000G-9834
  Nber of pieces :	20
  Complement :	Lizard Watch
  On sale :	2013
  List Price :	109 000 €
  Diameter :	40 mm
  Thickness :	8.90 mm
  Styles :	Jewellery Atypical
  Types :	Self-winding
  Calibre :	2460 SC
  Calibre distinction :	Hallmark of Geneva
  Case material :	White Gold
  Case peculiarity :	Sapphire caseback
  Shape :	Round
  Water-resistance :	30 meters
  Dial :	Grand Feu enamel Set with diamonds Hand engraved Gold Hand engraved
  Dial color :	Silver Gold-plated Red
  Display :	Skeleton hands
  Indexes :	Baton-type
  Glass :	Sapphire
  Strap material :	Alligator leather
  Strap color :	Black
  Strap clasp :	Pin buckle
  + More characteristics :	Movement 26.20 mm (11’’’ ¼) diameter 3.60 mm thick 22K gold rotor Approximately 40-hour power reserve 4Hz (28’800 vibrations/hour) 182 components 27 jewels Case White Gold 18K Dial Gold 18k Strap Black Mississippiensis. hand-stitched. saddle-finish. large square scales   Buckle 18K white gold buckle Polished half Maltese cross-shaped

DESCRIPTION

• The Artistic Crafts of the Manufacture pay tribute to the art of tessellation
   
  • Second series in the Métiers d’Art Les Univers Infinis collection, inspired by the work of the Dutch artist Maurits Cornelis Escher
  • A tribute to the graphic expression of the periodic paving technique known as “tessellation”   
  • A subtle blend of the Artistic Crafts cultivated by the Manufacture: engraving, enamelling, gemsetting, guilloché work and the new technique of gold and mother-of-pearl marquetry  
  • A mechanical self-winding movement, entirely developed and crafted by VAcheron Constantin   
  • A limited, numbered series of 20 watches for each model, all certified by the Hallmark of Geneva  
   
   
  Representing the second chapter in a collection presented in 2012 at the Salon International de la Haute Horlogerie in Geneva, the new Métiers d’Art Les Univers Infinis creations, inspired by the work of Dutch artist Cornelis Escher, pursue this glowing tribute to the graphic art of tessellation.
   
  Vividly expressing the creativity of the Master Craftsmen whose skills are so greatly valued by the Manufacture, they illustrate the ties between watchmaking and culture that Vacheron Constantin has been perpetuating ever since its founding. At the crossroads between past, present and future, these timepieces embody the challenges taken up by the artisans of Vacheron Constantin and governed by a combination of talent, discipline and instinct.
  
  Representing a symbiosis of several crafts, the new Métiers d’Art Les Univers Infinis trilogy uses the technique of periodic paving to create a strikingly hypnotic effect. Another skill highlighted by Vacheron Constantin, gold and mother-of-pearl marquetry, is associated with those of engraving, enamelling, gemsetting and guilloché work to create trompe l’oeil dials featuring infinitely entwined elements of geometry, movement and symbolism.
  The space on the dials is filled with perfectly interlocking repetitive motifs, thereby creating a world of optimal illusion and perspective, beautifully framed by a white gold case. The slender bezel ensures a maximum dial opening, while the elegant hands are hollowed so as to provide full expressive scope for the art of tessellation.
   
  The Hallmark of Geneva certified watches are driven by Calibre 2460, a mechanical self-winding movement entirely developed and crafted by Vacheron Constantin. In addition to its reliability, it bears manual finishes performed in keeping with the finest Fine Watchmaking traditions. The polished angles, hand-drawn flanks, circular-grained mainplate, bridges adorned with a Côtes de Genève motif and the gold oscillating weight featuring the elegant crossweave guilloché pattern, are all clearly visible through the sapphire crystal case-back.
  
  Angel Watch
  Engraving, guilloché work and Grand Feu enamel
   
  On the dial of this fascinating model, angels and demons face off in a contrast that is both symbolic and aesthetic. The former are in light, the latter in darkness, yet neither side appears to prevail over the other.
  Inspired by research conducted by Maurits Cornelis Escher on the “circular boundary” – involving décor composed of infinitely multiplied elements radiating out from a central point – the watch portrays these respective figures through a subtle combination of the arts of engraving, enamelling and guilloché work, skilfully playing on depth and shimmering mirror-like effects.
   
  Working with a white gold base, the engraver first traces the outlines of the figures and then hollows them out as cells using the champlevé technique. Next comes the copperplate engraving that defines the details of the demons. The enameller fills the cavities thus hollowed out, an operation requiring infinite precision in that the repetitive symmetry of the pattern simply cannot tolerate even the tiniest flaw. After several firings in the kiln, during which the grey and blue colours are progressively set in place, the artisan applies a final layer of translucent enamel to the imps in order to accentuate the depth of the engraved motifs. The guillocheur then moves into action to craft the angel robes and wings by patiently incising the colourful material. It is extremely rare that guilloché work on an enamelled model is done as the last phase, precisely due to the extreme complexity of such an operation, since any slip of the tool could jeopardise the precious work of an entire team of artisans.
   
  Lizard watch
  Engraving, Grand Feu enamelling, gemsetting and guilloché work
   
  Red, brown, gemset or silver-toned, the lizards take over the dial to create a captivatingly animated effect.
  Inspired by one of the Dutch artist’s lithographs named Reptiles, the watch springs to life beneath the intermingled effect of four ancestral decorative arts.
   
  The engraver begins his work by hollowing out the motifs from a yellow gold base. The enameller then fills in the lizards heading southwards with a taupe-coloured enamel, while those going west are coated in crimson red.
  The gemsetter then chooses to adorn the coats of certain reptiles with round-cut diamonds and finally, the master guillocheur dextrously enlivens the remaining lizards by highlighting their tiny scales measuring just a few tenths of a millimetre.
  
  Horsemen watch
  Engraving meets gold and mother-of-pearl marquetry
   
  The majestic Ottoman horsemen with their inimitably proud bearing straddle the dial crafted in a superb gold and mother-of-pearl marquetry pattern. The shimmering colours of the materials mingle in perfect harmony.
   
  The art of marquetry has been practised since time immemorial. The Egyptians used it in the form of precious stones and ivory inlaid into cosmetic cases and furniture. In the Middle Ages, Venice and the Byzantine empire exported luxury objects to the West featuring black and white geometrical motifs created by inlaying gold, ivory or mother-of-pearl into wooden veneers in a subtle range of lighter to darker shades.
   
  The marquetry artist crafts a particularly complex object by adjusting two diametrically opposing materials. Each horseman is first cut out from gold and mother-of-pearl before being meticulously assembled, like a puzzle, on a gold base. There are no visible gaps between the figures – a tough challenge indeed within such a small space.
  Mother-of-pearl calls for extreme attention, since it is extremely fragile and must feature the perfect combination of thickness, specific colours and shapes, smoothly combining curves and straight lines in order to follow the lines of its gold counterpart. At the end of the process, the engraver perfects the horsemen and horses by hollowing out the details of their anatomy.
  
  The art of tessellation: an infinite vision of space
   
  Born in the mists of time and named after the Latin word tessela, meaning paving stone or tile, the art of tessellation – or paving – spans many civilisations and cultures. It consists of small interlocking squares forming a motif that occupies the entire space of a picture without leaving any gaps, tessellations cover floors, walls and ceilings to form subtle geometrical landscapes.  From 4000 B.C, this mosaic technique adopted by the Sumerians, a people of Mesopotamia. While the Romans also made it one of the main decorative motifs in their architecture, it was doubtless the Moors who raised this technique to an authentic art form in the period stretching from 700 to 1500 AD, since the Islamic religion forbade them from representing human beings and any real objects. 
   
  This technique has also proved interesting for mathematicians, who have viewed it as an artistic expression of their science and their logic. Such scholars include Archimedes, the famous Greek scientist from the 1st century B.C., who studied geometrical paving; as well as the astronomer Johannes Kleper, who presented a certain number of polygonal tessellations in his work entitled Harmonice Mundi. More recently, artists Bridget Riley and Victor Vasarely have drawn inspiration from this art of which Maurits Cornelis Escher is undoubtedly one of the most famous contemporary exponents.
   
  Maurits Cornelis Escher: artistic geometry
   
  Dutch graphic artist and engraver Maurits Cornelis Escher (1898-1972) based his work upon subtle plays on architecture, perspective and space. Admirably associating perfect execution and imagination, he was a past master in the art of toying with visual senses and even reason in order to invent new spatial representations and worlds that exist only on flat surfaces. His travels to Spain instilled in him a passion for the paving technique of which he saw some remarkable examples in the Moorish tiles of the Alhambra in Grenada, and the Cordoba Mosque. Comprising a strong mathematical element, his work lies on the borderline between art and science. For the artist, the possibility of replacing the abstract geometrical shapes of the motifs by figurative designs became a genuine passion and an infinite source of inspiration.